Packet 6: Bonus 3

In a Polish Laboratory Theatre production of Stanisław Wyspiański’s (“stan-EES-wav viz-SPYAN-skeez”) play Akropolis, actors slowly built a concentration camp crematorium around this kind of group. For 10 points each:
[10e] What kind of group is separated from dramatic action by a metaphorical “fourth wall”?
ANSWER: audiences [or spectators; or viewers]
[10h] This Polish theater director emphasized the connection between actor and audience in the treatise Towards a Poor Theatre. An account of one of this director’s paratheatrical “beehives” appears in My Dinner With Andre.
ANSWER: Jerzy Grotowski (“graw-TOV-skee”)
[10m] In Grotowski’s poor theater, the actor “reveals” themselves to the spectator in an act described by this word. The 1849 essays “Art and Revolution” and “The Artwork of the Future” use this adjective to describe the fusion of acting, dance, and music present in Greek drama.
ANSWER: total [accept total act or akt całkowity; accept Gesamtkunstwerk or total work of art; accept general or ideal or universal] (“Art and Revolution” and “The Artwork of the Future” is by Richard Wagner.)
<HA, European Literature> | NAFTA-Packet-6

HeardPPBE %M %H %
4316.05100%44%16%

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Conversion

TeamOpponentPart 1Part 2Part 3TotalParts
Berkeley AStanford B100010E
Not Old! (Old)Team 7100010E
Stanford ABerkeley B10101030EHM
Team 8Constans Constantius and Constantine Jr.1001020EM

Summary

TournamentEditionMatchHeardPPBE %M %H %
2026 NAFTA at Stanford01/17/2026417.50100%50%25%
2026 NAFTA at UBC01/17/2026210.00100%0%0%
2025 NAFTA Online02/14/2026412.50100%0%25%
2026 NAFTA at Vanderbilt02/14/2026320.00100%67%33%
2025 NAFTA at Toronto09/13/2025514.00100%40%0%
2025 NAFTA at Maryland09/27/2025516.00100%20%40%
2025 NAFTA at Harvard10/04/2025313.33100%33%0%
2025 NAFTA at Oxford10/11/2025417.50100%75%0%
2025 NAFTA at Chicago11/08/2025623.33100%100%33%
2025 NAFTA at Columbia11/08/2025514.00100%40%0%
2025 NAFTA at Richmond12/20/2025210.00100%0%0%